Archive for the ‘Sewing Techniques’ Category

~New Hooked Pillows & History of its Craft

Friday, March 16th, 2012

In the textile and weaving factories of the early 19th century, there were flickers of creativity that sprouted crafting ideas as a way of using the waste from the mills. The workers of these factories were allowed to take some of the leftover textile materials home. They then would use them to pull the various fibers though a backing; creating what is now called “hooked fabric.” Details of exactly where the technique of hooking fabric truly originated are a little vague but there is also evidence in early Scotland and parts of France. In these countries, instead of cotton materials, rags were actually used and pulled though in the same manner.

From the shores of New England to Newfoundland, there heaved a movement that at first, was only popular amongst peasants and lower class individuals; being a craft associated with poverty. Though eventually the hooking revolution took on a new understanding and transitioned into a craft that created unique, tough and long lasting pieces. Nowadays, we see two forms of hooking styles that typically utilize wool. Fine hooking, which uses a thinner strip of wool, will produce more intricate details. Primitive hooking, using wider strips of wool, accomplishes shading and highlights that are seen in the more visible textures of the wool. Most of the hooking today is done with a solid backing, in order to keep it from pulling or losing its strength in years to come.

An example of this beautiful craft is showcased here to the left in our Goldfinch Pillow. The friendly goldfinch displayed on our Goldfinch Pillow has bold yellow, black and brown feathers. The hand hooking technique used, allows for the details in color to be shown. Surrounded by a spring color palette of sage green with gold and purple swirling vines, this pillow will look great on an accent bench in your entryway or your favorite chair in the living room.

Another new wool hooked pillow for spring is our lovely Flower Vases Pillow, pictured here to the left. Delightfully displayed in shades of green and blue glass bottles, the flowers appear to be blooming out from them. The bright green, thin border around the pillow and presence of a fluttering yellow butterfly makes it known that it’s time for spring. The details and color are achieved by designer Mary Lake Thompson.

Both of these pillows featured here are crafted of 100% hooked wool with a cream cotton-velvet back and zipper closure. They are also on sale for $10 off their original retail price, now during Sturbridge Yankee Workshop’s Annual Spring Sale.


Fun Holiday Felt

Wednesday, October 26th, 2011

History of Felting

Felt was actually one of the first textile materials to be worked with centuries ago, beginning in Central Asia. The native Turkman nomads in this region would use felt to form their clothes, tents and floor coverings. Archaeologists have also found felt origins as far back as 7th to 2nd century BC in Siberia. To create felt they would simply gather various animal wool and fibers, then densely mat them together. When it rained it only helped the felt, as the wetness would strengthen the fibers. (Wet-felting is still something you can do today) It is said that the men would use their felt material in their shoes to create cushion as they hunted. Perhaps this is the first sign of socks? Felting predates any other sewing art form, including spinning, weaving and knitting. Feel good about wool felt and the history it will bring to your home. Click here for a complete look at our Holiday Felt Collection.


Poinsettia Collection

This holiday season we have a new wool felt collection that is perfectly suited for your country home. Our Poinsettia collection features appliqued poinsettia petals, silver button centers and holly berry arrangements that will remind you of some of the crafts your grandmother used to make. Poinsettia flowers are actually native to Mexico but were first introduced as a Christmas flower in the USA, in 1825. You can see the intricate detail of our Poinsettia Felt Runner, pictured here to the left. The exposed hand embroidery is highlighted on the blanket stitch of the table runner.

Next is our Poinsettia Tree Skirt that displays the same wonderful poinsettia design with matching ribbon attached to the black cotton back, so you can adjust to your tree’s perfect fit. Rounding out the collection is our Poinsettia Stocking, which perhaps will offer a new twist on your current stockings. In addition to the matching poinsettia flowers, the stocking has a lovely cuff of cranberry felt on the top to make it extra special.


Candy Canes & Mittens

Candy canes are sweet and perfect this time of year to eat or hang on your tree. Consider our Wool Candy Cane Pillow, seen here to the right, to delight your friends and family this year. A trio of delicious peppermint candies are grouped together with holly berry, against a unique black and red design. A border of black felt completes the fun look.

Warm woolens mittens are hanging from a sprig of holly on our Woolens Pillow. A bold black and green background is the base for these cute hand stitched red and white striped mittens. “Woolens,” is cleverly written across the bottom. Both of these wool felt pillows evoke a folk art feel.

 


Wool Ornaments

We know you love our unique collection of ornaments at Sturbridge Yankee Workshop, but have you tried any of our wool felt ornaments? Each of these new ornaments listed below, uses wool felt applique techniques to create their distinctive looks. Our Cat Wool Ornament is made right here in the USA and is complete from head to toe in wool felt fabric. He is bundled up in his white scarf and sweater, holding faux greenery with a red robin and shares the message of “wish,” with you this holiday season.

Our Green Santa Ornament is also handmade in the USA and can be the perfect addition to your own collection or will make a great hostess gift! Santa is dressed in a festive green coat with a gold rope belt; bundled up tight so that all you can see is two little black boots hanging out from underneath his coat. Faux holly berry arrangements poke out from behind his big white beard and he sports a gold star and gold string for hanging, atop his head. Lastly, our set of three Felt Bird Ornaments is a real treasure. Hand stitched details are exposed throughout these black, red and white Christmas doves. Each of their wings has a felt appliquéd holly berry arrangement with sewn in red glass beads. A yellow beak and black bead eyes are the little things we appreciate this time of year.


Embroidery, a Fine Art

Monday, October 17th, 2011

Embroidery is defined as the art of decorating fabric or other materials with a needle and thread. In addition to designs made by simple thread or yarn, you can also embroider with pearls, beads and sequins. Interestingly, the development of hand embroidery did not change much from early on, as far as techniques and materials are concerned. The Industrial Revolution included the invention of the sewing machine and large sewing machinery in the factories. Machines allowed for faster production and accurately measured designs. Though many at the time and still today, prefer the look and feel of hand embroidery over machine embroidery.

Let’s back up a bit though, to where we first see signs of embroidered fabrics. Early samples were found in Ancient Egypt, Northern Europe and parts of Asia. In China, during the Zhou Dynasty (1046–256 BC) silk fabrics with a simple chain stitch style of embroidery was common. Silk was very symbolic of wealth and perhaps more difficult to embroider due to the thin nature of the material. Embroidery also marked a sign for high society in the Islam world during Medieval times. It was characteristic on unique and detailed rugs, flags, shoes and other clothing, as well as various uniforms of the time. Embroidered designs, were the extra effort put in when creating these items and thus was a mark of quality and accomplishment. This notion lead to the use of embroidery in artwork. Because of the breathtaking and different art that was being produced, other artists in Europe began to take notice. The highly religious culture of Europe at the time, took an interest in this art form and therefore we see embroidered cloaks, religious flags and other church decor created with embroidered designs.

Perhaps before it was even used to signify royalty and wealth, some researchers say that embroidery came about due to the need to patch and mend worn clothing. The holes and tears that developed from wearing clothes for a long time and washing them often, sparked an interest. You may be familiar with Norwegian or Swedish patterns that are embroidered on various winter coats or collectible doll clothing from parts of Scandinavia. The distinctive border along the bottom of coats and shirt collars, became a normal addition to clothing in that region as it added reinforcement to the fabric; helping it wear longer in the cold weather. This furthered the idea that embroidery came from a need not a want and after a while, instilled a desire for people to get more creative in their designs. So whether embroidery was born in the middle east to signify status or if it was created out of a necessity in various parts of Europe, today it is a beautiful craft that is recognized everywhere in the world.

Above in our Embroidery Lamp, you can see the exquisite embroidered details on the soft linen lamp shade. This flower pattern features primitive colors, that are supported by the red lamp base and evokes a folk art feel. As with stitching, knitting, crocheting and other forms of sewing, embroidery can be crafted in a number of different ways. The wool, linen and silk that were used throughout history are still used today with the addition of cotton, rayon and even ribbon. Firstly, there is a difference between surface embroidery and free form embroidery. Surface embroidery like our Embroidery Lamp example, is constructed through a series of counted thread. The detailed thread count and usual existing pattern allow for a precise measurement within and between designs. Another example of surface embroidery is the technique of needlepoint. Needlepoint’s accurate stitches can highlight different shades and details in color and design. An example at Sturbridge Yankee Workshop, is our Cat in Hat Pillow. Free Form Embroidery on the other hand, gives the artist more freedom in the design and typically is woven within the fabric as opposed to on top of it. This is seen in much of the historic fabric found in China and Japan. You may also see this type of embroidery on any embroidered canvas work; thicker and more dense canvas fabric works best.

Over the last 50 years or so the only real change in hand embroidery is the simple fact that patterns and design templates are more readily available to the public (something that would not have been the case for the peasants of Medieval Europe). As well as the embroidery loop, which is a circular tool that assists in keeping the fabric to be embroidered, in place without distorting the design or shape.